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The Daily Playmaker June 2nd

  • Daichi Mizusawa by Daichi Mizusawa
    Daichi Mizusawa Daichi Mizusawa
    A writer for The Playmaker, I coach players and study the game through player development and basketball theory. I collaborate with Chris Sasaki on media and analysis projects, delivering clear, practical insights for both players and fans.
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  • 2026/06/02
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The Daily Playmaker June 2nd
  • Newsletter

【今日のトピックス】
① The Road to Championship
②ラリー・オブライエントロフィーがコートに帰ってきた
③シェイが語る今シーズン

①The Road to Championship

昨日は試合がありませんでした。

〈Today's Games〉

本日予定されている試合はありません。

【ご案内】
無料登録の皆様はNewsletterの一部だけをご覧いただけます。続きを読んで頂くためには、「Upgrade to continue reading.」という表示の下「Upgrade」を押して月額1ドルのコミュニティプランにご加入ください(※決済システムの機能上、申し訳ありませんがJCBカードが使用できません)。毎日届くNewsletterをE-mailではもちろん、サイトでも制限なしでお楽しみいただけます。

※過去のNewsletterはこちらからご覧いただけます。
https://www.theplaymakerjapan.com/tag/newsletter/

②ラリー・オブライエントロフィーがコートに帰ってきた

NBAは、“ラリー・オブライエン”優勝トロフィーのロゴを2026年のNBAファイナルでセンターコートに復活させることを発表しました。スパーズのフロスト・バンク・センター、ニックスのマディソン・スクエア・ガーデン、両会場のコートにトロフィーロゴが直接描かれます。

トロフィーロゴがセンターコートに掲げられるのは2009年のファイナル、ロサンゼルス・レイカーズvsオーランド・マジック以来17年ぶり。また、コートサイドに描かれる「The Finals」のスクリプトロゴは2014年のファイナル、サンアントニオ・スパーズvsマイアミ・ヒート以来の復活となります。奇しくも、スパーズにとって前回のファイナル出場時に最後に描かれていたロゴが、今回のファイナルで再び姿を現すことになります。

このロゴには歴史があります。「The Finals」のスクリプトロゴは1989年から使用されており、2004年にはトロフィーロゴとの複合デザインに。2005年から2009年にかけてはトロフィーロゴがセンターコートの主役となりましたが、2009年を最後に姿を消しました。

廃止の理由についてNBAコミッショナーのアダム・シルバー氏は「デカール(転写シール)が滑りやすいという選手からの指摘があった。ファイナルという重要な試合の直前にコートを変えることへの抵抗感もあった」と説明しており、安全上の懸念が先行した形でした。

今回復活するのはトロフィーロゴだけではありません。両チームのユニフォームのネームプレート上部にもNBAファイナルのボールロゴが追加され、コートサイドラインにも「The Finals」のスクリプトが配置されます。NBAファイナルらしいとも言える景色が、17年ぶりに完全に戻ってきます。

Game1は日本時間6月4日(木)午前9時30分。コートに刻まれたトロフィーが、今年は本物のチャンピオンシップの重さを体現することになります。

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Daichi Mizusawa Daichi Mizusawa
A writer for The Playmaker, I coach players and study the game through player development and basketball theory. I collaborate with Chris Sasaki on media and analysis projects, delivering clear, practical insights for both players and fans.
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Daichi Mizusawa Daichi Mizusawa
A writer for The Playmaker, I coach players and study the game through player development and basketball theory. I collaborate with Chris Sasaki on media and analysis projects, delivering clear, practical insights for both players and fans.
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