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X&O📝 NBA解剖学 : リムランが生む「見えないアシスト」と連続的アドバンテージ
Photo by Stephan Coudassot / Unsplash
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X&O📝 NBA解剖学 : リムランが生む「見えないアシスト」と連続的アドバンテージ

「ペースは、ビッグマンが作る」 NBAのハイスピード&超効率化を支えるもうひとつの重要な要因——それは直線的にリングへ疾走する「リムラン(Rim Run)」にありました。16シーズンの公式トラッキングデータから、イージーバスケット、クロスマッチアップ、オープン3PTを意図的に引き起こす「見えないアシスト」の戦術メカニズムと連続的アドバンテージを解剖します。

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時代背景とNBAの超高速化


ここ数年間解説してきたように、近年の『ペース&スペース』全盛期であるNBAを語る上で欠かせないキーワードが「Pace(ペース)」と「Offensive Rating(オフェンシブレーティング)」です。そこで、まずはおさらいも含めて、以下の2つの公式トラッキングデータをご覧いただきたい。

過去16シーズンのペース推移

過去16シーズンのオフェンシブレーティング推移

この2つを読み解くと、以下のようなことが読み解けます。

シーズンリーグ平均 Paceリーグ平均 OFF RTG戦術的トピックと時代の潮流
2009-1093.60107.61ハーフコート重厚型。ビッグマンはバスケット付近に構える時代
2011-1292.25104.62低ペース・低効率のボトム期。しかし、NBAファイナルはMIAがボッシュをC起用して優勝。
2014-1594.72105.61ウォリアーズの台頭とスモールラインナップの席巻
2016-1796.96108.813PTによるスペーシング+トランジション重視へリーグ全体が転換。先頭を走れる機動力ビッグマンの価値が再評価
2018-19100.66110.42大ペースアップ時代。リーグ平均ペースが史上初めて「100」の大台に
2019-20100.79110.60過去最高水準のハイペース期。AD&レブロンのレイカーズが王者に
2024-2599.60115.72攻撃効率の極致。ペイントタッチと3PTによるスペーシングの融合がかつてないレベルに
2025-2699.80115.65最高水準の攻撃効率期(※RS全30チーム平均)。初動の完全最適化

過去16年間で、NBAの1試合あたりのポゼッション数は約6〜7ポゼッション増加し、オフェンシブレーティングは104.6から115.7(100ポゼッションあたり+11.1点)という前人未到の領域へと跳ね上がりました。

「3ポイントの試投数が増えたからだ」、「ガードのボールプッシュが速くなったからだ」。どちらも間違いなく数字の増加に繋がりました。オフェンシブレーティングに関しては『3ポイント引力の法則』によるオフェンスの質の向上が最大要因とも言えます。しかし、戦術の視点から言えば、このハイスピード化と超効率化を同時に達成できているもうひとつの理由を語らずして、全体像を把握することはできないでしょう。

今回のテーマは、

「ペースは、ビッグマンが作る」

そう、今回解剖するのは「リムラン(Rim Run)」。 リングに向かって先頭をひた走るビッグマンの直線的スプリントについて。以前解説した「ドラッグスクリーン」がボールマンの後ろからついてきてカオスの中で不意打ちを仕掛ける動きだとすれば、リムランはまさに真逆のアプローチ。

走るのか、構えるのか——。 なぜビッグマンが真っ先にスプリントするだけで相手のディフェンス陣形は崩壊へと向かうのか。その統計的根拠と戦術メカニズムを紐解いていきます。

この記事は、エキスパートプランにご登録の方限定です

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Born in New York and raised in Tokyo, Chris transitioned into broadcasting and analysis after retiring as a player. Known for his clear delivery and data-driven insights, he now works as a commentator, reporter, simultaneous interpreter, and writer.
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Born in New York and raised in Tokyo, Chris transitioned into broadcasting and analysis after retiring as a player. Known for his clear delivery and data-driven insights, he now works as a commentator, reporter, simultaneous interpreter, and writer.
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